Rounds

Product Information

a b c d e "Four Tet". Official Charts Company. Archived from the original on 11 June 2015 . Retrieved 21 March 2020. a b Hermes, Will (August 2003). "Four Tet: Rounds / Prefuse 73: One Word Extinguisher". Spin. 19 (8): 118. ISSN 0886-3032 . Retrieved 16 August 2013. Beats Per Minute staff (15 February 2010). "The Top 100 Albums of the 2000s". Beats Per Minute . Retrieved 20 November 2014. Selikow, Jami (28 August 2017). "Four Tet's New Album & 00110100 01010100". Indie Shuffle. Archived from the original on 9 October 2020 . Retrieved 31 July 2020.

Nightmare Before Christmas curated by Battles/Caribou/Les Savy Fav - All Tomorrow's Parties". Atpfestival.com. Archived from the original on 5 June 2011 . Retrieved 2 March 2017. Four Tet has always been one to flirt with dubstep and bass music, given by his love of tunes like The Bug’s ‘Skeng’ or Skream’s ‘2-D.’ But since he first went b2b with Skrillex in 2015, it seems that they’ve been sharing American bass music together ever since.This first of two sold-out nights at one of London’s biggest venues marks a fresh career high. Last year, Four Tet delivered a live set of New Energy over four nights in a substantially smaller London boîte, Village Underground, which dance-music bible Mixmag declared to be “the best live show in the world”.The context presumably included the over-the-top antics of EDM DJs, with their helmets, masks and arena-pop levels of crass production.

There had been an outcry from the artist community when the indie label took down the albums - Pause, Rounds and Everything Ecstatic - and other music by Four Tet during the ongoing legal battle over the contract signed in 2001. Domino said it was saddened by the case. After considering the arguments presented on December 16, Deputy Judge Treacy has now ruled that the additional claim over the streaming takedown of albums can be added to the existing legal case against Domino over streaming royalties. In March and April 2005, Four Tet performed two shows of improvisational music, in collaboration with jazz drummer Steve Reid, in Paris and London. He also appears on Steve Reid Ensemble 2005 album Spirit Walk. This collaboration was extended into a series of international tours, and the release of two albums, The Exchange Session Vol. 1 and The Exchange Session Vol. 2 over the course of 2005 and 2006. [ citation needed] At the centre, where the mixing desk might normally be found, is Hebden, his Anglepoise lamp and his jumble of kit. Only about 100 people can actually see him, because although Hebden is now officially a superstar DJ, slaying dancefloors at Coachella last month, topping bills in proper clubs and headlining nights at festivals, he eschews elevation where he can. Hebden has arrived at a particularly sweet spot. Tech has set Four Tet free. Tonight’s gig is very 'Insta-ready'

Contributions

He has continued to make albums under the Four Tet name since leaving Domino. His last, Parallel, was released on his own independent label Text Records in December 2020. That month, Hebden also released the album 871 under his 00110100 01010100 alias, also on Text.

Many may call this too boring or simple to be revered so highly, but they are entirely missing the point. You might disagree with me here, but is there anything more difficult than making an alien sound gather enough ground to merge into another to form the basis of a beat which will then mangle with another layer soon enough? What so many artists in the IDM genre have done, reminds me of how sometimes we forget how to pronounce a “fancy” word and so kind cough or murmur to pass it off. In the same way, I have a feeling that IDM artists truly aren’t capable of making that transition smooth and so have layer upon layer fill up the space, so we just hear this “cough” while the fancy word is being spoken. Take any of the thin layers of high caliber acts like M83 or low caliber acts like Richard Devine and see if these single layers could live on their own. It’s a safety blanket that even Four Tet had mildly used on his previous release but no more. Prior to their return to streaming services in February 2022, the three albums on which the case centres had been unavailable for more than two months as the new claim was considered.The return of Four Tet's albums to DSPs follows a new publishing deal with Universal Music Publishing Group, which was announced today. The agreement covers the electronic music pioneer's catalogue and future works. Battan, Carrie; Snapes, Laura (15 February 2013). "Four Tet Announces Tenth Anniversary Edition of Rounds". Pitchfork . Retrieved 16 August 2013. Hebden undertook a month-long residency as Four Tet for online radio station NTS Radio in May 2014. He has been an occasional DJ for NTS, playing in February, June and November 2015, and again alongside fellow DJ and producer Floating Points in June and October 2016, and March 2017. In September 2017, Hebden released the ninth Four Tet album New Energy. [22] That November he was nominated for a Grammy Award for Best Remixed Recording, Production, Non-Classical, for his remix of The xx's "Violent Noise". [23]

Pitchfork: Four Tet to Release Remix LP". 25 May 2007. Archived from the original on 25 May 2007. {{ cite web}}: CS1 maint: bot: original URL status unknown ( link) Somewhere in the unfurling mix are the heady, lustrous arpeggiating strings of Two Thousand and Seventeen off New Energy. But such is the dazzle of the surround-sound and the kaleidoscopic ripples of light, it’s hard to tell whether Hebden at the top of his game plays any of the new album he hints he might soon release.

CRITIC REVIEWS

Pitchfork staff (24 January 2017). "The 50 Best IDM Albums of All Time". Pitchfork. p.5 . Retrieved 21 August 2019. The album opened with a recording of a dog’s heartbeat before Hebden lets it bloom into free meter drum rolls that evoked the amoebic pulses that defined late 60s experimental jazz before tightening it all up with a beat that headnodded at hip-hop without quite being beholden to it. That three distinct rhythms (cardiac, jazz, hip-hop) could effortlessly convene on “Hands” augured Hebden’s formidable beat skills, which even in the present tense pull from house, 2-step, Afrobeat, and dubstep while remaining singular. The night of 19 April, shortly after collecting his daughter from a theatre rehearsal, Hebden was at home noodling away with Fred Again when the phone rang. Their booking agent, practically combusting, announced that, with Frank Ocean out of Coachella’s second weekend, they and Skrillex had the gig. They were barely listening. “We both got the giggles,” Hebden says. “Can you imagine a booking agent making that call? It was this combination of adrenaline and testosterone, like something out of Jerry Maguire.” Four Tet remix Eric Prydz's 'Opus' - listen | NME.COM". NME.COM. 19 November 2009. Archived from the original on 7 October 2015 . Retrieved 10 October 2015.